Freelance Jib/Hothead Operator's For Hire

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What is a Jib?

A jib is a boom device used in cinematography to put a camera on one end and a counterweight with camera controls on the other. It works like a see-saw in concept, with the balancing point closer to the counterweight, allowing the end of the arm holding the camera to move in a longer arc. A jib enables the camera to be moved vertically, horizontally, or in a mixture of both directions. Although a tiny jib can be put on a tripod, many bigger, purpose-built jibs come with their own support platforms, frequently on wheels. Modern jibs are usually modular and come in a variety of lengths.

A jib can be used to get high or low shots that are difficult for a hand-held camera operator to get, or shots that need to move a short distance horizontally or vertically, without the expense and safety concerns that come with putting a camera operator on a crane or laying track for a camera dolly. When a regular dolly shot isn't possible, a jib can be installed atop a dolly for shots where the camera glides over objects like furniture.

What is the Hothead in a Jib?

A jib is more sophisticated than a basic lever since the camera's aim must nearly always be controlled independently of the jib arm's swing. This can be accomplished using either relatively basic mechanical techniques or remotely controlled electric servo motors, such as those used in a remote head.

A jib is frequently used in conjunction with a remote control system for focus, zoom, and/or camera function, as well as a portable video monitor, mounted near the jib operator because the camera operator is usually unable to use the camera's controls directly or look through the camera's viewfinder.

On larger jibs, a device known as a "hot head" or "remote head" is attached to the camera end. It provides support for the camera and allows for remote pan/tilt and focus/zoom control. This system can be managed by one person, but depending on the situation, two operators may be required. In a two-operator setup, one person controls the jib arm/boom and the other controls the remote head's pan/tilt/zoom functions. The Newton stabilised remote head, for example, stabilises the camera during fast jib operation while simultaneously allowing camera roll.

What does a Jib/Hothead Operator do?

Jib/Hothead Operators are camera operators who've also trained to use a jib (known as a Jimmy Jib).

A jib is a special kind of crane at the end of which you attach a camera; there's a counterweight at the other end for balance. It's used to capture a variety of shots, such as overhead or long sweeping moves, and can film a full 360-degree shot. Jibs are lightweight alternatives to the cranes that are used for filming similar shots on large-budget films and TV dramas so that they can be rigged in a shorter amount of time and used in smaller or more challenging locations.

Jib/Hothead Operators capture the shots that the camera supervisor or director asks for. They move the camera by swinging the jib, which allows them to create moving shots while adjusting the pan, focus, tilt, and zoom. They also set up and maintain the jib, repairing mechanical difficulties as they develop, and they're in charge of health and safety because jibs can be dangerous.

Jib shots (also known as boom shots) can be used in a variety of films, but they're especially handy while recording sports. Jib/Hothead Operators are frequently used in live and multi-camera productions. They are often self-employed and, in some cases, have their own equipment.

What is a Jib/Hothead Operator good at?

Photography: have a good eye and understanding of composition, light, colour, focus and framing.

Communication: listen, do what's requested, and ensure everyone knows what you're doing and where you're bringing the jib.

Knowledge of cameras and supports: understand how cameras and jib arms function, as well as how to control the dollies or pedestals to which they're attached.

Health and safety: know how to operate the jib safely, be aware of those around you and the environment you are working in.

Lifting: be physically fit and tough, and know-how to carry heavy equipment securely.

Who does a Jib/Hothead Operator work with?

Jib/Hothead Operators on set follow the camera supervisors or director of photography's and director's orders. They rig and de-rig the jib camera gear with the help of grips. They may work with camera assistants who either assist with jib operation or receive on-the-job training from the Jib/Hothead Operator.

Why Hire a Freelance Jib/Hothead Operator?

The job of a Jib/Hothead Operator is challenging yet rewarding work. It requires a considerable amount of practice and professional training.

Our Jib/Hothead Operators are award-winning experts in their craft and carry an incredible work ethic and a professional attitude.

By hiring a Jib/Hothead Operator, you'll have border type of shoots at your disposal. They'll be able to get high or low images that are tough for a hand-held camera operator to get, as well as shots that require moving a short distance horizontally or vertically, without the cost and safety problems that come with using a crane or laying track for a camera dolly.

How much does it cost to hire a Jib/Hothead Operator?

Our Jib Operators charges are in line with BECTU guidelines and APA rates for commercial projects.

Why Choose The Sab Network to hire your Freelance Jib/Hothead Operator?

If you're searching for award-winning Freelancers that have proven to be loyal, trustworthy, and competent, the Sab Network is the place to go. The Sab Network is a referral-only network of industry specialists who can help you with all of your production requirements.

Customers don't have to sift through CVs because all our Freelancers have been vetted, and they are reliable, experienced, and excellent. It gives you confidence in their capacity to do the job.

We understand how tough it is to find qualified people who can meet our clients' expectations. Our purpose is to help you achieve your objectives! All our members are highly experienced and work to the highest professional standards.

The biggest Corporations, Production Companies and Broadcasters around the world are among our clientele.

If you have any questions about how The Sab Network operates or would like to discuss any aspect of employing freelancers, please contact us.