I have worked on Clarkson’s Farm from Series 2 through to Series 6, providing aerial cinematography across multiple seasons of the production. The role involves capturing high-end drone footage that supports both the scale and storytelling of the series, from sweeping landscape visuals of the Cotswolds to dynamic sequences following the day-to-day activity on Diddly Squat Farm.

Working on a production of this level requires close collaboration with directors, DOPs and production teams to deliver cinematic aerials safely, efficiently and in line with broadcast standards. Operating high-end drone platforms in complex rural environments, often around livestock, machinery and the public, has demanded precision, adaptability and a strong understanding of on-set workflow. It has been a privilege to contribute consistently to one of the UK’s most successful factual entertainment series.