The director wanted the audio to be as inconspicuous as possible so Ed and the camera team would be free to move around the space and requested no mics stands to be in shot.

I hid mics both on Ed and his guitar (see if you can spot them) and fed the audio to 'worn' recorders and also radioed the signal to my recorder.

Ed and his team were very happy with the results, and I have since worked on many more sessions.